Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]
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The facts of Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]
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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no person else remains safe and secure either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one of the most mentioned books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended as a trilogy. Did it really end the best way you planned it through the beginning?
A: Very much so. While I didnrrrt know every detail, of course, the arc in the story from gladiator game, to revolution, to war, for the eventual outcome remained constant through the entire writing process.
Q: We understand you worked for the initial screenplay for a film to get according to The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?
A: There was several significant differences. Time, for starters. If you are adapting a novel in to a two-hour movie you can't take everything with you. The story has being condensed to match the newest form. Then you have the question of methods best to take a novel told within the first person and present tense and transform it in to a satisfying dramatic experience. In the novel, you never leave Katniss for the second and are privy to any or all of her thoughts so you may need a approach to dramatize her inner world and to generate it easy for other characters to exist outside her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A lots of situations are acceptable over a page that couldn't survive over a screen. But exactly how certain moments are depicted may ultimately be inside director's hands.
Q: Are you currently able to consider future projects while working on The Hunger Games, or are you immersed inside the world you happen to be currently creating so fully who's is just too challenging to think about new ideas?
A: We've a few seeds of ideas floating around within my head but--given a great deal of of my focus remains on The Hunger Games--it will likely be awhile before one fully emerges i can begin to develop it.
Q: The Hunger Games is a yearly televised event through which one boy the other girl from each of the twelve districts is made to participate in a fight-to-the-death on live TV. What do you imagine the benefit of reality television is--to both kids and adults?
A: Well, they're often create as games and, like sporting events, there's an desire for seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they've very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the possibility for desensitizing the audience, to ensure that once they see real tragedy playing out on, say, the news, this doesn't happen have the impact it should.
Q: Should you were expected to compete inside the Hunger Games, what do you imagine your special skill would be?
A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope will be to get hold of an rapier if there were one available. But the reality is I'd probably get about a four in Training.
Q: What does one hope readers should come away with after they read The Hunger Games trilogy?
A: Questions about how precisely elements of the books may be relevant inside their own lives. And, if they're disturbing, what you might do about them.
Q: What were some of your favorite novels when you're a teen?
A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)
Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but on this occasion it's for world control. While it is really a clever twist around the original plot, it indicates that there is less focus around the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life right into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and at her very own motives and choices. This is surely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn of the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to an unsure go back to sweetness. McCormick also helps to produce the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and different challenges of each in the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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